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Invisor app5/28/2023 So now, there are three choices: Main (8-bit), Main10 (10-bit 4:2:0) and Main 4:2:2 10. Note : We weren’t aware at the time of writing that, along with the update, there’s a separate selection for 4:2:2 subsampled 10-bit HEVC on the render page. One caveat, though: in Compressor, faster (standard quality) encoding can be a memory hog, so we recommend slower (higher quality) encoding and closing out all other applications while rendering if you’ve got a 32GB RAM machine. The five stacked ProRes 4444 clips with noise reduction played back in real time in Final Cut Pro while in Resolve, the timeline came to a complete standstill. Encoding at higher quality increased that time to just 1:59. to render in DaVinci Resolve Studio 17.4.4 took a mere 32 seconds to complete in Apple Compressor. Pretty impressive, right? It is until you consider that the same clip that required 3 min. Our math is pretty execrable, but it appears as though the update increases efficiency by as much as 25 – 30%. Using the Option key, we created five stacked clips, after which we added a small amount of noise reduction. In order to determine exactly how much of an improvement the update brings, we imported a ProRes 4444 file and dragged it onto the timeline of Resolve. DaVinci Resolve Studio 17.4.4 brings many enhancements, chief among them being support for encoding H.265 4:2:2 Main10 on Apple Silicon, the codec used to upload HDR video to YouTube and the most demanding operation on our M1 Max MacBook Pro with 32GB RAM.
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